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Luke Morin's avatar

Wonderful piece, Natalie — I really appreciated the specificity of the example. Seeing how The Giver would be taught to all students, revisited for analysis, and then paired with thematically related dystopian texts made the assessment model feel much more concrete.

After years of assessing students mostly on cold passages, my own classroom assessments eventually evolved in a similar direction: close reading anchored in the most crucial moments of a shared text, aligned to the kinds of thinking the standards require, and extended through related passages (e.g., pairing Balzac and the Little Seamstress with Red Scarf Girl) where core concepts like dystopia or propaganda had to be explored in a fresh context.

One question this raises for me is about structure as distinct from content. Modern ELA assessments have a very specific register, question architecture, and style that’s often backward-aligned to college entrance exams. Many HQIM seem to step away from those structures in favor of short constructed responses and meaning-centered tasks. In a vision like Louisiana’s IA, I’m curious how much of our current assessment structure would remain, and how much would need to change alongside the content.

As your piece makes clear, if you change what gets tested, you change the game. The open question for me is whether we’re prepared to rethink not just what reading assessments are about, but the forms they take and the incentives they therefore encode in our classrooms.

Thanks for opening up this conversation.

Carla Shaw's avatar

The point about background knowledge and equity really stayed with me. Testing “transferable skills” divorced from content often ends up privileging students who already bring that knowledge from outside school. Grounding assessment in what’s been taught feels not only more valid, but fairer.

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